There are no some in the phrase by Basho it. On the day when no fog drizzle is seen, even the place in which it falls down is interesting in. shine about the day of and the green leaves young leaves After that, again as a stage of another mind The first drizzle monkey is a mind and of travel not to be lucky tomorrow of the snow as for Ugai Japanese syllabary small straw raincoat horse of sad before long. It is loneliness bird as for floating me. A magnificent, elegant elegance The pine of coming of the one and Seta who doesn't hide oneself from the flower in the early summer rain by dim in the sea and is a river of in the uppermost river trouble and Sado. And, there is Deadwood. of can movement cry is a wind of autumn. crow's of the stopping gray-headed lapwing autumn in the deadwood It accident side Akino style travel stops and the dream is desolate field on and red day. The average of the couplet also has a peculiar sense. For instance, They are having a mind recurrence Basho of a top and bottom of this furnace great number at the cane hotel in waist. it is easy to come field water of flower of imperial guards butterfly is nose nun of two in the goose grass. It is a strike of strike lotus of real banana tree putting saying. Mine of a strong reality is done such a variety of emotions. Voice of sheath rock It drinks and thinks the sound of the spirit where it doesn't disappear as Basho's art until today to be. The Narrow Road to the Deep North annotation who seemed to be Yoshida was serialized to this magazine. I think that such feelings that it is unbecoming not to understand it as a problem of the education because the artist named Basho is one sense of beauty of Japan player though it is the governed one or vine is unnecessary at all for The Narrow Road to the Deep North of some phrases of giving here. It doesn't have the one for which it appeals to the sense to be alive today of us and there is a work with the meaning in the table of literary classics indeed a lot. In that case, I do not think that is dishonorable for the present age either of the one that sounds in a modern mind for classics because there is a joy of proceeding of the history in not being. However, might how about Basho's art. What the seventeen-syllable verse doesn't know as for me. What one it is that becomes lively momentarily today must be in his art from among the collection of poems sometimes read if the given impression sees a lot of deep points though it is a rank outsider. The phrase of not only is understood to us but also is the one with the sympathy of the truth. Because Rust that is the characteristic of Basho's art is the one that flows at the same time in the bottom of a Japanese life attitude, the Japanese whom Basho doesn't understand is impossible. The determination theory of such popularity has been fairly circulated so far.
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